This publication on Greek Art gathers a large number of studies presented at the International Congress ‘Greek Art in Motion’. Held in honour of Sir John Boardman’s 90th birthday, the congress took place at the Calouste Gulbenkian Foundation in Lisbon, 3-5 May, 2017. The volume first presents eight contributions by the keynote speakers who, as friends and students of Sir John, present a debate and a problematisation of Greek Art from the archaeological and historical point of view. Thereafter, 45 papers are divided into the different themes considered during the congress, all of which have greatly benefited from Sir John's researches throughout his long and distinguished academic career: Sculpture, Architecture, Terracotta and Metal, Greek Pottery, Coins, Greek History and Archaeology, Greeks Overseas, Reception and Collecting, Art and Myth.Table of ContentsPrefaceJohn Boardman and Greek Sculpture – by Olga PalagiaSanctuaries and the Hellenistic polis: an architectural approach – by Milena Melfi‘Even the fragments, however, merit scrutiny’ ancient terracottas in the field and the museum – by Lucilla BurnThe Good, the Bad, and the Misleading. A Network of Names on (mainly) Athenian Vases. – by Thomas MannackStudying gems: Collectors and Scholars – by Claudia WagnerBuildings and History – by P. J. RhodesJohn Boardman at 90: ‘New’ Archaeology or ‘Old’? Confessions of A Crypto-Archaeologist – by Paul CartledgeSome Recent Developments in the Study of Greeks Overseas – by Gocha R. TsetskhladzeSculptureGodlike Images. Priestesses in Greek Sculpture – by Iphigeneia LeventiThe nude Constantinople. Masterpieces of Greek sculpture at Byzantium according to the Greek Anthology – by Carlos A. Martins de JesusOrnaments or amulets: a peculiar jewel on dedicatory statues – by Olympia BobouArchitectureGreek Emporios in Chios. The Archaeological Data from the Excavations of the Last Decades – by Kokona Roungou and Eleni VouligeaTemples with a Double Cella. New Thoughts on a Little-Known Type of Temple – by Ugo FuscoTerracotas and MetalImages of Dionysos, Images for Dionysos: The God’s Terracottas at Cycladic Sanctuaries – by Erica AnglikerAn Unusual Sympotic Scene on a Silver Cup from Ancient Thrace: Questions of Iconography and Manufacture – by Amalia AvramidouForgeries in a museum: a new approach to ancient Greek pottery – by Claudina Romero MayorgaBeyond trade: the presence of Archaic and Classical Greek Bronze Vessels in the Northern Black Sea area – by Chiara TarditiGreek PotteryMakron’s Eleusinian Mysteries: Vase-Painting, Myth, and Dress in Late Archaic Greece – by Anthony MangieriTimagoras: an Athenian Potter to be Rediscovered – by Christine WalterRevisiting a Plate in the Ashmolean Museum: A new interpretation – by Marianne BergeronThe Greek pottery of the Tagus estuary – by Ana Margarida Arruda and Elisa de SousaVases on Vases. An Overview of Approaches – by Konstantina TsonakaIntriguing Objects of Desire: Collecting Greek Vases, a Short History Unfolded – by Daniela Freitas FerreiraYouth in an enclosed context: new notes on the Attic pottery from the Iberian Tútugi necropolis (Granada, Galera) – by Carmen Rueda and Ricardo OlmosAn overview of Brazilian Studies on Greek Pottery: tradition and future perspectives – by Carolina Kesser Barcellos Dias and Camila Diogo de SouzaCoinsSculptures and coins. A contextual case study from Side – by Alice LandskronThe romanitas of Mark Antony’s eastern coins – by João Paulo Simões ValérioWar and Numismatics in Greek Sicily: Two sides of the same coin – by José Miguel Puebla MorónIconography of Poseidon in the Greek coin – by María Rodríguez LópezThe Silver Akragatine Tetradrachms with quadriga: A New Catalogue – by Viviana Lo MonacoGems and GlassWhy was Actaeon punished? Reading and seeing the evolution of a myth – by José Malheiro MagalhãesGreek Myth on Magical Gems: Survivals and Revivals – by Paolo VitellozziFrom routine to reconstruction – by Susan WalkerGreek History and ArchaeologyThe Database of the Iberia Graeca Centre – by Xavier Aquilué, Paloma Cabrera and Pol CarrerasThe Greeks overseas: a bioarchaeological approach – by Tasos Zisis and Christina PapageorgopoulouThe Messenian island of Prote and its relation to navigation in Greece and the Mediterranean – by Stamatis A. FritzilasNaukratis - Yet Again – by Astrid MöllerThe Tomb of the Roaring Lions at Veii: Its Relation to Greek Geometric and Early Orientalizing Art – by Gabriele KoinerPerserschutt in Eretria? Pottery from a pit in the Agora – by Tamara SagginiGreeks OverseasA Bridge to Overseas. Insight into the geomorphology, harbourworks and harbour layouts of the Archaic and Classical Greek harbours – by Chiara Maria MauroGandharan Odalisque: Mounted Nereids on Gandharan Stone Palettes – by SeungJung KimThe Attic Pottery from the Persephoneion of Locri Epizefiri between Ritual Practices and Worship – by Elvia Giudice and Giada GiudiceWas Knossos a home for Phoenician traders? – by Judith Muñoz SogasGreek Divine Cures Overseas: Italian Realisations of the Greek Paradigm – by Lidia OżarowskaReception and CollectingWine and blood? Dionysus, Other Gods and Heroes in a Catholic Chapel of Britiande (Lamego, Portugal) – by Nuno ResendePavlovsk Imperial villa and its collections: from the first stage of antiquities collecting and archaeology in Russia – by Anastasia Bukina and Anna PetrakovaArt and MythGreek Myths Abroad. A Comparative, Iconographic Study of Their Funerary Uses in Ancient Italy – by Valeria Riedemann LorcaOrphica non grata? Underworld Palace Scenes on Apulian Red-Figure Pottery Revisited – by Karolina SekitaGeryon in Tatarli – by Malcolm DaviesNew Identifications of Heroes and Heroines on the West Pediment of the Parthenon: The Case of P, Q, and R – by Ioannis MitsiosA new Sicilian curse corpus: blueprint for a geographical - chronological analysis of defixiones from Sicily – by Thea SommerschieldOnce again: A sacrificing goddess. Demeter - what´s up with her attribute? – by Maria Christidis and Heinrike DourdoumasGreek Divine Cures Overseas: Italian Realisations of the Greek Paradigm – by Lidia Ożarowska